Cavaillé-Coll, 1874
With references to Hill, Norman & Beard (1928) and Walker/Harrison (1968/2009) specifications
|
|
Great |
|
|
|
|
|
1 |
Bourdon |
16 |
Wood + Tin |
HNB28 |
W79 |
|
2 |
Principal |
8 |
Tin |
HNB4 |
W78 |
|
3 |
Flute Harmonique |
8 |
Wood + Tin |
HNB42 |
W50 |
|
4 |
Bourdon |
8 |
Wood + Tin |
HNB43 |
W76 |
|
5 |
Salicional |
8 |
Tin |
HNB29 |
W65 |
|
6 |
Prestant |
4 |
Tin |
HNB20 |
W75 |
|
7 |
Octave |
4 |
Tin |
HNB33 |
|
|
8 |
Doublette |
2 |
Tin |
HNB36 |
W72 |
|
9 |
Plein Jeu |
VI |
|
HNB23 |
W8 |
|
10 |
Basson |
16 |
|
HNB49 |
W68 |
|
11 |
Trompette |
8 |
|
HNB52 |
W67 |
|
12 |
Clairon |
4 |
|
HNB27 |
W2 |
|
|
Swell (Recit expressif) |
|
|
|
|
|
13 |
Flute Traversiere Harmonique |
8 |
Tin |
HNB30 |
W64 |
|
14 |
Bourdon |
8 |
Wood + Tin |
HNB17 |
W63 |
|
15 |
Viole de Gambe |
8 |
Tin |
HNB18 |
W15 |
|
16 |
Voix Celestes (tc) |
8 |
Tin |
HNB19 |
W16 |
|
17 |
Flute Octaviante |
4 |
Tin |
HNB34 |
W12 |
|
18 |
Trompette |
8 |
Tin |
HNB39 |
W3 |
|
19 |
Basson et Hautbois |
8 |
Tin |
HNB26 |
W5 |
|
20 |
Voix Humaine |
8 |
Tin |
HNB40 |
W4 |
|
|
Pedal |
|
|
|
|
|
21 |
Contrebasse |
16 |
Wood |
HNB54,56 |
W30,31 |
|
22 |
Soubasse |
16 |
Wood + Tin |
HNB58 |
W28 |
|
23 |
Violoncelle |
8 |
Metal |
HNB61 |
|
|
24 |
Bombarde |
16 |
Tin |
HNB11? |
W45? |
|
|
Combination Pedals |
|
|
Expression of the stops of the key board of Swell |
|
|
Tremolo corresponding to the same stops |
|
|
Great Organ Copula (of the Pneumatic Manual) |
|
|
Muster of the Reed Stops of Great Organ |
|
|
Muster of the Reed Stops of Swell Organ |
|
|
Swell Organ Copula (of the Pneumatic Manual) |
|
|
Reed Stop of Pedal Organ |
|
|
Union of the Bass Octave of Great Organ |
|
|
Union [of the Bass Octave] of Swell Organ to the Pedals |
|
|
Union [of the Bass Octave] of Great Organ to the Pedals |
|
|
Storm Effects |
Manuals 56 notes, pedals 30 notes
Total number of pipes: 1466
“By
an acoustic effect from the 16 feet Open Bass of the Pedals, 32 foot
tone is produced.”
It is not clear if this was obtainable by a
special stop or lever or whether it was merely by playing in 5ths,
but the specific naming of one stop implies the former.
| Name variants between sources: | |
| 2 | Principal or Montre |
| 16 | Voix Célèstes or Voix Célèste |
| 19 | Basson-Hautbois or Basson et Hautbois |
| 21 | Contrebasse or Contre Basse Ouverte |
| 22 | Soubasse or Bourdon |
| 24 | Bombarde or Bombardon |